Showing posts with label Victor Fleming. Show all posts
Showing posts with label Victor Fleming. Show all posts

Tuesday, August 19, 2014

MANTRAP: WARNING! CLARA BOW USES WEAPONS OF MASS SEDUCTION!

This is my entry in the Build Your Own Blogathon, hosted by The Classic Film & TV Cafe, featuring 20 bloggers over 20 days.

MANTRAP
Alverna does her daily flirting exercises. A girls has to keep in shape!
No, Clara Bow is not the mantrap of the title (yeah right). Mantrap is the name of the little Canadian outpost where our story takes place. It's a simple story. In New York City, divorce attorney Ralph Prescott (Percy Marmont) has developed a distinct dislike for the opposite sex (agreeing that his client's husband was right to beat her – grrr… we already don’t like him). His buddy, hosiery salesman Woodbury (Eugene Pallette) suggests that what they both need is some male-bonding time in the wilderness. Prissy Ralph agrees and off they set to mantrap for some fishing, hunting and, presumably, belching.

Prescott and Woodbury:City Boys Gone Wild
Meanwhile, in Mantrap, good-hearted merchant Joe Easter (Ernest Torrence) is lonely for female companionship and decides to take a trip to Minneapolis to see what the big city has to offer. There, while getting spiffed up in a barber shop, he meets manicurist Alverna (Clara Bow). She's an adorable flirt, but senses that big-lug-small-town-Joe is a decent guy and agrees to meet him for dinner.


Next we catch up with campers Ralph and Woodbury, who are engaged in a fierce and juvenile battle over some wilderness supremacy. Joe happens upon the pair and figures the best way to solve the problem is to remove one of these citified gents from the fight. He offers to take Ralph back to his home in Mantrap for the rest of his vacation. Ralph agrees, thinking that is will be a blissful place to continue his pursuit of manly things without female interference.

Alverna and her 2 men - neither one quite worthy
This is when we find out that Joe has married Alverna. She greets her man at the dock and welcomes visitor Ralph with open arms. She is an incorrigible flirt, but before long she and Ralph do begin to have feelings for one another. After a spat with Joe, Alverna leaves with Ralph to head back to civilization. They endure a few hard nights in the wilderness (Alverna is more than up to the task and proves herself to be a tough survivor). Joe, frantic that Alverna has flown the coop, goes off after the couple in hot pursuit. Eventually he catches up to the bedraggled pair. While Ralph and Joe try to decide Alverna's fate, she declares that "no one is the boss of me," gets in Joe's motorboat and leaves both of those knuckleheads behind.

Alverna livens up the locals
Since this is Hollywood, alls well must end well. Fast forward a bit and Joe is still heartbroken over losing the flirtatious Alverna. His nasty neighbors try to tell him that he is well rid of the little baggage, but when she knocks on the door and declares she has missed her man, Joe welcomes her back with a grateful bear hug. Of course, when a manly Mountie happens by, Alverna can’t help but shift into flirt mode. But she asks Joe to keep an eye on her, just in case.
Clara Bow as 21 when "Mantrap" was made, but had already appeared in over 30 films. Given a good story and a great director, she rose to the occasion and set the screen on fire. Never was she more captivating and charismatic and beautiful. Director Victor Fleming was in love with Clara during this time and it is clear that he is truly besotted with his subject. Her close-ups are luminous. Publically, he compared Bow to a Stradivarius violin: "Touch her, and she responded with genius.” And what a genius – both Torrence and Marmont are hardly romantic ideals, yet Clara makes you believe that a girl like Alverna would actually give them a second look.

Lovebirds Clara Bow and Victor Fleming during the filming of "Mantrap."

He-man Fleming went gaga for Clara. Can you blame him?
"Mantrap" is based on a story by Sinclair Lewis which is apparently a misogynistic nightmare. However, in the hands of 2 female screen writers (Ethel Doherty and Adelaide Heilbron) and with the magical Clara at the forefront even that toughest of he-men directors Victor Fleming, could only see it Alverna’s way.

Clara Bow considered "Mantrap" to be her best silent film. I completely agree.

Impossible to resist