AIN'T NOTHING LIKE THE REAL THING, BABY

Only the public can make a star. It's the studios who make a system out of it.                  Marilyn Monroe                                        

                                                                                             
Some stars are made by the public and some are the creations of, as Norma Desmond called them, "the masterminds." The Hollywood moguls of old liked to think that they had the power to create a star. Like Professor Henry Higgins, they imagined they could take the most improbable subject and transform him or her into someone the public would embrace.

By George, I really did it!

Once they hit upon a winning formula, their instinct was to mass-produce like a factory. It usually didn't work. Copycat stars rarely step out of the shadows of the originals, but once in a while, one is individual enough to stake a claim of their very own.

Here a just a few of the originals and their imitators:

The Original: Charlie Chaplin

Chaplin's enormous popularity spawned quite a few imitators, including:

The Copies: Billy West

West's greatest fame lied in his uncanny impersonations of Charlie.  Other than that, the rest of his career is merely a footnote.

Harold Lloyd

Yes, even the great Harold Lloyd started out as a copycat as "Lonesome Luke", a clear Chaplin rip-off. This always made Lloyd uncomfortable, and it wasn't until he hit upon his "glasses" character that his own genius was allowed to flourish (thank goodness!).

The Original: Rudolph Valentino

Valentino's popularity spawned a slew of exotic lovers, but none could touch the original.

The Copies: Ricardo Cortez

Ricardo (born Jacob Krantz) was totally manufactured star who managed to survive the Valentino craze and go on to have a respectable career in films before ditching them for a lucrative career on Wall Street.

Antonio Moreno

Best remembered as having "it" alongside Clara Bow, Moreno had a long, if unspectacular career. 

Ramon Novarro

A copy with real staying power and star quality, Novarro inherited the mantel of "Latin Lover" after the death of Valentino. He had a long career and a legion of fans.

The Original: Mary Pickford

Mary Pickford was the most popular woman in the world during the peak of her stardom. While many tried to copy her, no one could come close.

The Copy: Mary Miles Minter

Mary Miles Minter gave Pickford a run for her money for a short while, but a lack of fire, real talent and her role in the William Desmond Taylor murder mystery put an end to her career.

The Original: Pola Negri

Pola was the original foreign exotic.

The Copy: Greta Garbo

Although Garbo was originally placed in Pola-like roles, she proved to be too much of an original. Before long, stars and studios were emulating Garbo, but by then she had established herself as beyond duplication.

The Original: Marlene Dietrich

They should have known better - you don't copy this!

The Copy: Anna Sten

Known as "Goldwyn's Folly," the beautiful Miss Sten was brought by Goldwyn to Hollywood as his studio version of the foreign exotic. Unfortunately for both, Miss Sten did not click with the public.

The Original: Ronald Colman

The perfect, cultured and romantic Englishman. This was such a popular "type" that many were needed to fill the role!

The Copy: Brian Aherne

Brian Aherne was a very respectable "second choice" Colman (he was awarded the starring role in "A Tale of Two Cities," but it was taken away from him when his friend Colman became available). 

The Original: Errol Flynn

Looks alone did not define his appeal. Although others tried, Flynn's looks, talent, charisma and charm were a hard package to duplicate.

The Copy: Patric Knowles

Signed because of his resemblance to Errol, Patric never made it into the leading man category. Really, a passing resemblance, at best.

The Original: Freddie Bartholomew

This precocious little British boy was a huge star for a time.

The Copy: Roddy McDowell

Another case where the copy had more staying power than the original. While Freddie was usually an upper-crust kind of  kid, Roddy was blue collar. And when Freddie grew up and went on to other things, Roddy stayed with us forever.

The Originals: Hope & Crosby

This stellar crooner and comic combination was a hit with the public. 

The Copies: Morgan & Carson

Warner Bothers tried to duplicate the success of the "Road" pictures with the "Two Guys" series featuring crooner Morgan and comic Carson ("Two Guys From Texas," "Two Guys From Milwaukee," - you get the picture), but the chemistry between Bob and Bing could not be manufactured.

The Original: Marilyn Monroe

The one, the only. To this day, she is copied endlessly, but never duplicated.

The Copies: Jayne Mansfield

Mamie Van Doren

Sheree North

All three ladies were blonde, beautiful and talented. Some were more successful than others, but none came close to MM.

The Original: Grace Kelly

Cool, blonde, beautiful, talented, but with a warmth that set her apart.

The Copies: Dina Merrill

Talented and beautiful, for sure, but so cool she was chilly.

Tippi Hedren

Cool and lovely, but no Grace (sorry, Hitch).

The Original: Sophia Loren

This Italian sex-goddess inspired many copies, but Sophia had more than sexy going for her.

The Copy: Gina Lollobrigida

Turns out, Gina had more to offer than the Italian sex-bomb roles she was offered and turned to photojournalism for a second and rewarding career.

The Original: Robert Redford

This male blonde beauty look was all the rage in the '60s, but try as they might, Redford had that certain something that could not be duplicated.

The Copy: Nick Nolte

Hard to believe now, isn't it?

If imitation is the sincerest form of flattery, then these originals should be blushing! As for those "masterminds" who think you can mass-produce a star - back to the drawing board. 






For more fun movie facts and fantasy, check out "Flesh and Fantasy" by Penny Stallings and Howard Mandelbaum (I confess to being a bit of a copycat myself!). It's a very fun book!

Constance Talmadge - LIVE in "Her Night of Romance" and Shouting Out About Silents

Ronald Colman and Constance Talmadge
flirt and skirt boundaries of propriety

I went to see a silent film last night.. in a theater! The accompanist and composer fired up the "organ" (actually Mr. Ben Model on his Miditzer Virtual Theatre Organ), the lights were dimmed and the audience was served a glass of sparkling cinematic champagne of a very rare vintage. It was all very heady stuff.

"Her Night of Romance" stars Constance Talmadge and Ronald Colman. We are all familiar with Mr. Colman as the sound star ("'tis a far, far better thing...") with the beautiful British accent. As a silent star he was equally appealing, maybe even more so, as he was so young, so handsome and, at least in this film, so seemingly good-natured. Funny that he payed an English Lord (impoverished) and it seemed so right, knowing how his voice sounded. When audience first saw this in 1924, they could only guess.

Constance Talmadge was, at the time and throughout the silent era, a huge star who is now largely forgotten. She and her sister, Norma, were the queens of comedy and tragedy, respectively. While Norma's name still rings a faraway bell to some, Constance is rarely mentioned, her films rarely screened. So, imagine my delight when this bubbly, effervescent, intoxicating (did I say she was like a glass of champagne?) woman appeared on the screen and took over the film. She is fresh, funny, natural and feminine. Lovely and frisky, but slightly screwball, she is a precursor to Carole Lombard. The racy bedroom scenes between the two stars do raise an eyebrow, but they are put across in such a charming manner that the censors must have looked the other way. Ronnie and Connie were adorable (and pretty sexy).

All in all, the film is a delicious trifle given weight by two powerful star personalities and talents. Aiding the light-as-a-feather story is a first class production where no expense appeared to have been spared (after all, Connie's brother-in-law was  Joseph Schenck, powerful mogul and husband of Norma).

After seeing "A Night of Romance" I want more Connie Talmadge! Some of her films that are available on DVD include "Her Sister From Paris" and "The Duchess of Buffalo."

Chatting With Ben and Dylan 

at the Huntington Cinema Arts Centre

Not only does the Huntington Cinema Arts Centre provide great movies and programs (click here for a peek), but they also provide great ambiance. Before the show, I got a chance to speak with Ben Model, accompanist, composer, and silent film champion, and Dylan Skolnick, the Co-Director of the theater. Both were kind enough to take a few minutes in the theater's wonderful cafe (that has both red velvet cake and coconut cake, but I digress....) to talk about the evening's program and getting the word out about silent films to a larger audience.

Ben Model and Dylan Skolnick

Ben, who has been playing piano and organ and composing for silents at the Museum of Modern Art for over 20 years, said that he has played at several screenings of Constance Talmadge's films over the last few years that she is always a hit. However, the treat of our being able to see and enjoy Connie   is largely due to the efforts of the Library of Congress and various collectors who have recognized the value of these films and have saved them - just for us!  And thanks to these efforts, Connie's reputation is starting to come back. Ben acknowledges, however, that getting more than just the core group of fans out to see a silent film is a challenge.

Huntington Cinema Arts Centre Co-Director Dylan Skolnick agreed. The theater, which has been championing silent films for decades, faces the challenge of reaching out to a wider audience with each showing. "Silent films," he said, "are very far away from most people's experience of film. But once they have the experience, they fall in love with it. It's really about the experience. There is a  different feel to these films which have a visual, poetic quality."

Dylan summed it up, I think, perfectly:" If you love movies, this is the heart." 

It was fun just to listen to two people who really love what they do and want to share their passion with a larger audience.

Ben and Dylan also opened up about the rest of the 2011 Silent Film Series at the Huntington Cinema Arts Centre. Check out this lineup:

Library of Congress Rare Comedy Shorts (hand picked by Ben) that he promises are "hilarious."

"The Freshman" with Harold Lloyd

William S. Hart in "Sand"

"He Who Gets Slapped" starring Lon Chaney

"Upstream" - directed by John Ford (a film that was considered to be lost until a copy was discovered in 2009 in New Zealand)

Buster Keaton's "Seven Chances"


All on the big screen, all with live organ accompaniment...I am so there.

After our chat and before the show, I had a cool drink (and some coconut cake, I confess) in their luscious garden patio while listening to some live music. An evening's entertainment, indeed!


Make Some Noise About Silent Film!


The joy of classic films, and silents in particular, can only be spread by those who love them. 

This means you!

Next time you go to see a classic film, silent or sound, pop in a DVD or even watch one on TCM, invite a friend or family member. Wouldn't it be nice to spread the wonder of these treasures (and have someone to share them with, too)? As Ben says, "if you come once, you'll get what it's all about." 


It's "Mission Possible" - are you in?