Friday, November 11, 2016

Sunny (1930): Bareback Rider Plays Marriage Merry-Go-Round

This is my entry in the Circus Blogathon hosted by Critica Retro and  Serendipitous Anachronisms. Click HERE for more Big Top excitement!


Sunny (1930)
Sunny in her circus costume. Wasn't she a pretty little bareback rider?

"Sunny" started out with high hopes. It was based upon a successful Broadway show, had a score by Jerome Kern and Oscar Hammerstein and starred its original Broadway star, the great Marilyn Miller. Once sound films swept the nation, musicals and stage stars flooded the theaters. 

Marilyn Miller
Marilyn Miller was one of the musical theater's greatest stars and she seemed a natural for film. She was lured to Hollywood by Warner Brothers (Jack specifically, with whom she had a cozy relationship) and paid a then astronomical figure of $100,000 to film her greatest sage hit, "Sally." It was a smash and Warners quickly planned to film another of Marilyn's stage hits, "Sunny."

Marilyn Miller in her stage consume as "Sunny."
More circus and less glamour than the film version
Sadly, by the time "Sunny" was ready for release, the onslaught of musicals (specifically bad musicals) resulted in a public backlash against the genre. Too much of a bad thing set "Sunny" back and the result was a musical without hardly any music. Since the music was the whole point of the show, movie-goers were left with a "Sunny" featuring a silly and paper-thin story (British circus performer loves an engaged man, stows away on a ship to America and marries another man to gain entry and then divorces said man and gets her guy) without the music to support it. To add insult to injury, the leading man (Lawrence Gray) is a pill. Imagine if it was Fred Astaire......

Sunny waits for her Prince Charming
Still, "Sunny" has much to offer, chiefly the lovely Miss Miller. No matter how much Warners may have wanted to cut the musical numbers, it was unthinkable to put their star in a movie without several dance numbers. And this is where she shines. I offer you exhibit #1 below. When she says' "let's have some fun, you can see she really means it. 

They also could not omit the show's hit number "Who?" Marilyn wasn't a great singer, but the poor quality of the sound doesn't do her any favors. Still, her star power gets her through. Here she is with the uninspiring Mr. Gray.

Personally, I found Marilyn's performance in "Sunny" even more appealing than her performance in "Sally." She comes across as quite an adorable and cheeky woman and looked lovely once she was adorned in her non-stowaway clothes. It's a shame that there was only one more film in store for Marilyn before she headed back to Broadway. I thought she had quite a nice comic touch when not trying to play the innocent.

Another joy is the inclusion of Joe Donahue as the hapless fellow who Sunny marries and then divorces. Joe was the brother of Jack Donahue, a favorite stage dancing partner of Marilyn Miller. While his film career was pretty non-existent, he and Marilyn pair comfortably in "When We Get Our Divorce." Since I can't find a stand alone clip of their dance, I am posting the entire film and ask you to go to 58:17 to see this delightful pairing.


Sadly, much of the music was cut cut from the film before release in the US. The existing version of "Sunny" is pretty tattered and badly in need of preservation. A full musical version of this film that included the entire original score was released outside of the US (where they apparently had not yet tired of musicals). Oh, if only this version would surface!
Sunny dreaming of fleeing the circus and winning her man
After one more (non-musical) film, Marilyn Miller returned to Broadway in the aptly named "As Thousands Cheer." Sadly, she would die in 1936 at age 37. Still, the legacy of the darling little circus girl, Sunny, still lives on. If you happen to be in New York City at the corner of Broadway and 46th Street, look up. She is there surveying her kingdom of Broadway.


Interested in knowing more about Marilyn Miller? Check out "The Other Marilyn," by Warren G. Harris.

14 comments:

Caftan Woman said...

Thank you for that picture of Marilyn Miller's statue and for the story of her time in Hollywood. It is a shame those early pictures ran into such troubles, but I guess Broadway was her true home.

FlickChick said...

Yes, CW, Broadway was her true home. I had little hopes that this film would even be watchable, based on current review, but I found Marilyn natural and charming. She would have handled comedy just fine. But, I think she loved being a Broadway Diva. Too bad her life was cut short, but she was a real case of live fast and die young. Plus, her life as a child performer didn't help. I find her endlessly fascinating.

serendipitousanachronisms said...

Thank you for submitting to #AtTheCircus, I look forward to enjoying your post this weekend!
-Summer

Quiggy said...

I liked the picture of her in the door frame. That was enough to make me wanna watch the whole thing. She is very fetching.

said...

The film had potential! Too bad the musical numbers were cut. We can see that Marilyn is a good tap dancer, and if paired with an Astaire type the film would have been a hit. I also hope that the full international version surfaces someday!
Thanks for joining us, Marsha, it was great to have you among our guests!
Kisses!
Le

Joe Thompson said...

I hope the version with musical numbers will show up one day. I think I first heard of Marilyn Miller when I read a biography of WC Fields. I didn't realize what a big deal she was until I read a biography of Flo Ziegfeld. I didn't see any of her films until the internet and YouTube came along years later. I enjoyed your essay and your selection of illustrations.

Inge Gregusch said...

Marilyn resembled a delicate flower, like the ballerina in a music box--but I'll wager she was also an iron butterfly--singing and dancing up a storm. A lovely post about a lovely lady by a lovely lady! Thanks!

FlickChick said...

Summer - thank you for co-hosting. I'm a bit late, but I plan to visit the other fun posts.

FlickChick said...

Quiggy - she was quite fetching - she had a winning charm that, I'm sure, was muted by film. She must have been something on stage.

FlickChick said...

Le - thank you for co-hosting. And yes - such a shame many of those charming musical numbers were ditched. Maybe someday the film will surface....

FlickChick said...

Thank you, Joe. Sadly, Marilyn only made 3 films and that last one with Fields was a turkey.

FlickChick said...

Inge - yes, she was quite an iron butterfly - a real hard-drinking tough talking diva who came up the hard way. But, the illusion is timeless.

Christian Esquevin said...

Nice tribute to Marilyn Miler in this relatively unknown film. She was such a lioness on Broadway but her star was fading and her fast life was catching up to her quickly by then. Thanks for including the dance clip, and by the way, the movie was remade at RKO in 1941 with Anna Neagle.

serendipitousanachronisms said...

Oh, this film sounds like a lovely idea, and its cuts seem detrimental! Thank you for sharing an relatively obscure pic! The dance clip was fabulous, thank you for your contribution to #AtTheCircus!