Forgotten Stars Blogathon: Evelyn Brent

This is my entry in the Classic Movie Blog Association Forgotten Stars blogathon. Click HERE to read more entries about stars who were once at the top of the heap.

EVELYN BRENT: 

The Scowling Seductress of the Silents

the beauteous Evelyn Brent

The rise and fall of Evelyn Brent is a true Hollywood story. Born Mary Elizabeth Riggs in either Tampa, Florida or Syracuse, New York in either 1895 or 1899 or 1901, Betty, as she was always known to friends, shook off her drab beginnings and, starting in 1915, she began appearing in silent films made in Fort Lee, New Jersey. After an initial start under her own name, she soon became Evelyn Brent. After World War I, Evelyn moved to London,where she worked steadily on the stage and in films until 1922 when she decided to try her luck in Hollywood.

Possessed of a mature beauty and an alluring scowl, Evelyn hit the ground running in Hollywood. Besides being named a WAMPAS Baby Star in 1923 (along with other budding stars Eleanor Boardman, Laura La Plante and Jobyna Ralston) and was signed to an exclusive contract with Douglas Fairbanks. Unfortunately, Doug failed to find a role for her, and she left his company to work for Associated Authors, FBO, Fox and eventually Paramount, carving a niche as the ultimate lady crook and moll. While most beautiful women are known for a beautiful smile, Evelyn was known for her scowl.From her first role in 1915 through her last silent film made in 1928, Evelyn made  over 65 films. Sadly, most of Evelyn's silent films are lost. Although most were programmers, Evelyn was always singled out for her beauty and acting.

By 1926, Evelyn was an experienced pro and finally was making her way into the front rank of stars. In 1926 she was top billed over a scene stealing Louise Brooks in "Love 'Em and Leave 'Em" and garnered great reviews in a sympathetic part.

Louise Brooks later had some rather unkind things to say about Evelyn and her acting style, but when did Louise ever give another female co-star a break?

Seriously glam

Things got even better for Evelyn when Joseph Von Sternberg selected her to star in his next 2 films. As Feathers McCoy in the 1927 classic "Underworld" Brent showed that she had the stuff day dreams are made of. Draped in feathers by Travis Banton, Evelyn proved herself a star who could hold her own with the best.

Evelyn as sexy Feathers McCoy

Things got even better when Von Sternberg chose her again for 1928's "The Last Command." Starring opposite the great Emil Jannings, she garnered great reviews and was poised for super-stardom. 

Evelyn and Emil Jannings in "The Last Command"

Evelyn as Cleopatra: a film that never was

Unfortunately, 1928 was the to be the height of Evelyn's career.  Her 2 greatest performances were under Von Sternberg's direction. One wonders if Evelyn's professional fate would have been different if Dietrich had not shown up. Shortly after those 2 great films sound and some bad luck would find Evelyn on the outside looking in.

Evelyn rocked it in this butterfly hostess gown in "Interference"

Having had stage experience, Evelyn did not fear sound and appeared to good notices in Paramount's first talking feature "Interference" (1928).  Her voice was good, but not especially distinctive and, somehow, the allure of her silent scowl lost a little luster when she spoke. In addition, her personal woes seemed to tarnish her professional reputation. 2 bad marriages and lots of money troubles left Evelyn broke and, by the early 1930s, playing secondary roles in bad films and touring in vaudeville.

A star has to keep track of her shoes

The scent of a star is a complicated thing

In typical Evelyn fashion, she seemed not to mind the loss of luxury and life on the road, but she soon came back to Hollywood (with husband #3: Harry Fox of foxtrot fame) and settled into a life of low budget films and small parts. She almost always received good reviews and the critics and audiences alike always seemed to welcome her presence, but the star ship had sailed for Evelyn Brent.

By 1937 former stars Brent and Louise Brooks were
posing as also rans in a low-budget film. Louise's part was cut
and Evelyn is barely seen in "King of Gamblers"

Evelyn Brent once represented the femme fatale glamour of a true Hollywood star, but as time went on she became a forgotten star. She worked steadily through the 30s and 40s, always getting good reviews and always appearing in forgettable films. She worked for a while for a talent agency, but had retired by 1950. She was still on the casting lists for small roles and extra work when she died in 1975.

In 1972 film historian John Kobal sought her out and found a "gaunt old woman with wiry hair" who lived modestly and spoke candidly and freely about her former life. What is clear from the interview is that Evelyn Brent never really wanted to be a star. She lacked the drive of a Crawford or Davis and when the going got tough Evelyn did not fight for her position as a star. Instead, she was content to fade into the background with her third husband (a happy marriage at last). She was proud of her career, especially of the films made with Von Sternberg, and she harbored no grudges and nursed no grudges. She had a bite of the apple and was content. Mr. Kobal summed up Evelyn perfectly:

"In 1927, the year of "Underworld," Evelyn Brent had appeared in films for thirteen years; that year she had starred in four films. In 1928 she starred in seven; seven in '29; five in '30. In 1933 she made only one film, and none in 1934. When she returned in '36, she appeared in bit parts. She was born in 1899 and died in 1975 of a heart attack. There was no failure in Evelyn's life - the failure lay in others, those who tried to make her a star. Evelyn didn't want to be a star, she just wanted to work.  And, at that she was a success, right to the end."

Gary Cooper was once head over heels in love with Evelyn.
Can you blame him?

Evelyn claims her place on the Walk of Fame

Source material included  John Kobal's "People will Talk" and "Evelyn Brent: The Life and Films of Hollywood's Lady Crook" by Lynn Kear and James King. The latter has an extensive Evelyn Brent filmography.